Combines lyrical verses and evocative illustrations by two Coretta Scott King Award-winning contributors in the story of young Amira, whose dreams of attending school are shattered by a Janjaweed attack on her Sudanese village and a forced flight to safety. Simultaneous eBook. 25,000 first printing. - (Baker & Taylor)

"After her tribal village is attacked by militants, Amira, a young Sudanese girl, must flee to safety at a refugee camp, where she finds hope and the chance to pursue an education in the form of a single red pencil and the friendship and encouragement ofa wise elder"-- - (Baker & Taylor)

Andrea Davis Pinkney is the New York Times bestselling and award-winning author of more than 20 books for children, including Bird in a Box and several collaborations with her husband Brian Pinkney, including Sit -In, Hand in Hand,and Martin & Mahalia. She lives with her family in Brooklyn, NY.

Shane W. Evans is the illustrator of many books for young readers, including Underground: Finding the Light to Freedom, which won a Coretta Scott King award, and Nobody Gonna Turn Me Round, which was nominated for an NAACP Image Award. His website is ShaneEvans.com. - (Grand Central Pub)

Booklist Reviews

*Starred Review* As Amira's twelfth birthday approaches, she finds herself distracted from her daily responsibilities on the family farm: doing chores; looking after her little sister, Leila, who was born with special needs; and caring for her little lamb, Nali. She dreams of school, but that is not the traditional way for girls in Sudan. Life is hard, with scarce food, distant water, and the looming obligation of marriage and motherhood. Still, she scratches out her thoughts and dreams in the dirt with a precious twig, wishing. Then the Janjaweed arrive and decimate the village in an attack that kills her father and Nali. After the remaining family members and their friend Old Anwar relocate to a refugee camp, Amira's spirit is sorely tested, but the gift of a pad and a red pencil restores her sense of agency and offers the promise of learning. Pinkney's short, clipped verse expresses the harsh difficulties and intimate beauties of daily life—dust storms, orange soda, family devotion—in broken lines that capture Amira's breathless anxiety and hope. And if the evocative poetry is the novel's beating heart, Evans' spare, open, graceful line drawings are its breath, recalling Amira's own linear musings, drawn on the ground or in her own tablet. Ultimately, this is an inspirational story of the harrowing adversity countless children face, the resilience with which they meet it, and the inestimable power of imagination and learning to carry them through. Copyright 2014 Booklist Reviews.

Horn Book Guide Reviews

The first part of this vivid verse novel, set from September 2003 to March 2004, celebrates twelve-year-old Amira's life on her family farm in Darfur, Sudan. After a violent attack by the Sudanese militia, Amira and her family become refugees. Pinkney uses onomatopoeia, rhythm, and prismatic imagery to describe Amira's feelings. Evans's spare illustrations provide valuable visual context and a much-needed sense of buoyancy. Glos.

Horn Book Magazine Reviews

The first part of this vivid novel, set from September 2003 to March 2004, celebrates twelve-year-old Amira's life on her family farm in Darfur, Sudan. Her first-person prose poems and lively childlike sketches focus on her Muma and Dando and little sister Leila; her friend Halima who leaves the village to attend school; her favorite sheep Nali; and the other elements that make up her world: wheat and tomatoes, sparrows and the wind storm called the haboob. But whispers of the Janjaweed (Sudanese militia) infect even this happy childhood, and in a violent attack, everything changes. Dando is dead, Nali is dead, and Amira and her family become refugees, traveling by night to a displaced persons camp. Life there is marked by deprivation, and Amira's voice becomes choked off by the violence she witnessed. But when an aid worker gives Amira a red pencil and a tablet of paper, Amira's drawings find a way to lead her out of sorrow and back to life. Pinkney's verse uses onomatopoeia, rhythm, and prismatic imagery to describe Amira's feelings. Evans's illustrations keep on the spare side but provide valuable visual context and a much-needed sense of buoyancy. Throughout, text and drawings make Amira's experiences seem real to young readers without overwhelming them, allowing them to share in her hardship and eventual renewal. Back matter includes an author's note, glossary, and pronunciation guide. anita l. burka Copyright 2014 Horn Book Magazine.

Kirkus Reviews

A 12-year-old Sudanese girl struggles for survival after a janjaweed attack on her town forces her family to seek safety in an overcrowded refugee camp. Amira Bright has a dream: to leave her South Darfur farm and attend Gad Primary School, where girls are accepted. Muma, her mother, is a traditionalist about girls' roles, while Dando, her father, and Old Anwar, a lifelong neighbor, are more supportive. Dando and Amira even have a favorite game called "What Else is Possible?" But when militia attackers suddenly upend her life, Amira is overcome with silent heartache. Relief comes when an aid worker at Kalma refugee camp offers her a yellow pad and a red pencil, eventually restoring her free expression. Telling her story in first-person verse, Pinkney uses deft strokes to create engaging characters through the poetry of their observations and the poignancy of their circumstances. This tale of displacement in a complex, war-torn country is both accessible and fluent, striking j ust the right tone for middle-grade readers. Evans' elemental drawings illuminate the spirit and yearnings of Amira, the earnest protagonist. A soulful story that captures the magic of possibility, even in difficult times. (author's note, illustrator's note, glossary) (Verse fiction. 8-12) Copyright Kirkus 2014 Kirkus/BPI Communications.All rights reserved.

Publishers Weekly Reviews

Told in free verse and set in the South Darfur region of Sudan in 2003 and 2004, this potent novel from Pinkney (Hand in Hand: Ten Black Men Who Changed America) is built around the distinctive voice and drawings of 12-year-old narrator Amira. The first half of the novel examines Amira's life in her rural village, where she helps out with farm chores, wishes she could attend school, and has a close relationship with her father, Dando, who "sees what is possible in me." After Janjaweed militants invade, inflicting great loss, Amira flees to a refugee camp, where she expresses her creativity through art, after a teacher gives her the pencil of the title. Evans's (We March) loosely drawn and deeply affecting line illustrations heighten Amira's emotional reality; in one image, accompanying the poem "Shock," a simple figure surrounded by a violently scribbled border demonstrates Amira's despair: "My whole heart./ A sudden break./ My Bright,/ turned black." Pinkney faces war's horrors head on, yet also conveys a sense of hope and promise. Ages 9–up. Agent: Rebecca Sherman, Writers House. (Sept.)

School Library Journal Reviews

Gr 5–7—Set during the early years of the Darfur conflict, this stunning collaboration between Coretta Scott King Award winners Pinkney and Evans tells a moving story of the scarring effects of war but also brings a message of hope and inspiration. Twelve-year-old Amira wishes to attend school, but her mother, "born into a flock of women/locked in a hut of tradition," does not support the girl's aspirations and expects her to only marry and bear children. In contrast, Amira's father praises her talents and gifts her with a special "turning-twelve twig" that she uses to sketch her dreams in the goz (sand). These dreams are brutally shattered when the Janjaweed militants invade and cut a swath of terror through her village. After enduring a heartbreaking loss, Amira and her family must rally their strength in order to make the treacherous journey to the Kalma refugee camp. There, the girl is given a red pencil; this simple gift reveals a world of endless possibilities and imbues the tween with a strong sense of agency. Amira's thoughts and drawings are vividly brought to life through Pinkney's lyrical verse and Evans's lucid line illustrations, which infuse the narrative with emotional intensity. An engaging author note provides background on the political situation in Sudan and explains the powerful motivations for telling this story. An essential purchase that pairs well with Sylvia Whitman's The Milk of Birds (S. & S., 2013).—Lalitha Nataraj, Escondido Public Library, CA