Unable to forget his missing six-year-old sister back in Kabul and the risks his family took to move to the United States, Fadi struggles to adjust to a new life and school where, in the wake of September 11, he aspires to win a photography competition that offers the winner a trip to India. - (Baker & Taylor)
Escaping from Taliban-controlled Afghanistan in the summer of 2001, eleven-year-old Fadi and his family immigrate to the San Francisco Bay Area, where Fadi schemes to return to the Pakistani refugee camp where his little sister was accidentally left behind. - (Baker & Taylor)
“A powerful read.” —Ahmed Rashid, New York Times Bestselling author of Taliban
“By the end of the book, young readers will be cheering for Fadi as a good friend.” —Mitali Perkins, author of Tiger Boy and You Bring the Distant Near
“Senzai has brought a whole new world to life for young readers. It is a world they won't soon forget.” —Reza Aslan, author of No God but God
In the summer of 2001, twelve year old Fadi’s parents make the difficult decision to illegally leave Afghanistan and move the family to the United States. When their underground transport arrives at the rendezvous point, chaos ensues, and Fadi is left dragging his younger sister Mariam through the crush of people. But Mariam accidentally lets go of his hand and becomes lost in the crowd, just as Fadi is snatched up into the truck. With Taliban soldiers closing in, the truck speeds away, leaving Mariam behind.
Adjusting to life in the United States isn’t easy for Fadi’s family and as the events of September 11th unfold the prospects of locating Mariam in a war torn Afghanistan seem slim. When a photography competition with a grand prize trip to India is announced, Fadi sees his chance to return to Afghanistan and find his sister. But can one photo really bring Mariam home?
Based in part on the Ms. Senzai’s husband’s own experience fleeing his home in Soviet controlled Afghanistan in the 1970s, Shooting Kabul is a powerful story of hope, love, and perseverance. - (Simon and Schuster)
N. H. Senzai is the author of the acclaimed Shooting Kabul, which was on numerous state award lists and an NPR Backseat Book Club Pick. Its companion, Saving Kabul Corner, was nominated for an Edgar Award. While her first two books are based in part on husband’s experience fleeing Soviet-controlled Afghanistan in the 1970s, her third, Ticket to India is based on her own family’s history. She is also the author of Escape from Aleppo. Ms. Senzai lives with her family in the San Francisco Bay Area. Visit her online at NHSenzai.com. - (Simon and Schuster)
Booklist Reviews
Beginning in the months before 9/11, this sensitive, timely debut follows an Afghan family's emigration to San Francisco. After receiving a PhD in the U.S. and returning to Kabul to help rebuild the country, Fadi's father has grown disillusioned with the Taliban ("These are not true Muslims"), and he pays human traffickers to smuggle his family into Pakistan. During the terrifying flight, Fadi's six-year-old sister, Mariam, is lost. After fruitless, life-risking searches, the grief-stricken family tries to begin anew in California, while overseas efforts to find Mariam continue. Conversations often feel purposeful as Senzai educates readers about U.S. involvement in Afghanistan, Afghan cultural diversity, and the Qur'an's fundamental messages of peace. But she writes with powerful, realistic detail about Fadi's family's experiences, particularly the prejudice Fadi finds at school after planes hit the Twin Towers and the guilt he suffers over Mariam's disappearance. An abrupt but satisfying contrivance brings this illuminating docu-novel to a joyful conclusion, and young readers may well want to move on to the appended resources to learn more. Copyright 2010 Booklist Reviews.
Horn Book Guide Reviews
Fadi's family flees from Kabul, Afghanistan, to Fremont, California, in 2001. His six-year-old sister, Mariam, is left behind during their escape, for which Fadi wrongly feels responsible. He enters a photography contest to win a plane ticket to Peshawar so he can try to track down Mariam. The story is timely, but coincidences in the plot lessen its believability. Reading list, websites. Glos. Copyright 2010 Horn Book Guide Reviews.
Kirkus Reviews
As 11-year-old Fadi Nurzai and his family escape from Afghanistan in the summer of 2001, the Taliban show up, forcing their truck driver to take off abruptly, and Fadi's little sister Mariam is accidentally left behind. Mother, father, older sister Noor and Fadi all blame themselves as they make their way to California. Fadi's goal becomes finding a way to go back and rescue Mariam, and he sees a chance in a local photography contest, one prize being a trip to India. Debut novelist Senzai crafts a wrenching tale, based on her husband's Soviet-era experience, putting a human face on the war in Afghanistan. Though the blending of fiction and exposition is uneasy at times, and the resolution too quick and reliant on coincidence, it's an ambitious story with much to offer: a likable protagonist in Fadi, an original and engaging plot and a lens through which readers will learn much about the current conflict. A great match with Suzanne Fisher Staples's Under the Persimmon Tree (2005) and Deborah Ellis's Breadwinner Trilogy. (map, author's note, further reading, websites) (Fiction. 9-14) Copyright Kirkus 2010 Kirkus/BPI Communications. All rights reserved.
PW Annex Reviews
This hard-hitting, emotionally nuanced first novel views the experiences of a family of Afghan refugees through the lens of 11-year-old Fadi. Fadi's U.S. educated parents repatriated to Afghanistan, only to have the Taliban impose order, ending his mother's career, necessitating homeschooling for the children, and creating a dangerous, oppressive environment. When his mother's health finally forces the family to leave, Senzai portrays the high cost of escape as not just economic (,000, "the family's entire savings") but human, through the shattering loss of Fadi's six-year-old sister, who hesitates to grab a precious Barbie and is left behind. "Fadi looked from the edge of truck's railing in disbelief. His six-year-old sister had been lost because of him." Senzai skillfully focuses Fadi's guilt against the backdrop of this grief and his adjustments to life in Fremont, California's Little Kabul (during 9/11); as Fadi discovers a photography club and contest that might earn him tickets to India, he fantasizes about rescuing his sister. Though cultural, religious, and political pressures persist, the satisfying surprise ending offers the family hope and redemption. Ages 8–12. (June)
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School Library Journal Reviews
Gr 5–8—In July 2001, as 11-year-old Fadi and his family hastily board a truck to begin their escape from Afghanistan, six-year-old Mariam lets go of her brother's hand and is tragically left behind. Their arrival in San Francisco is bittersweet as they are all too concerned about Mariam to appreciate their newfound safety and freedom. Fadi struggles with integrating himself into American middle school culture, eventually finding solace in the photography club. Still, he is most concerned with the part he played in losing Mariam and getting her back. A photography contest with the prize of a trip to India seems to be his best means of finding a way back to Afghanistan to help in the search for his sister. This is a sweet story of family unity, and readers will learn about Afghani Pukhtun culture. Occasionally Senzai relies too heavily on telling when showing would be more effective. Also, at times the dialogue seems inauthentic because it contains more historical detail than would be likely among people of the same background. The relevance of occasional references to E. L. Konigsburg's From the Mixed-up Files of Mrs. Basil E. Frankweiler (S & S, 1970), which Fadi is reading, is never truly clear. That said, this is a worthwhile book about the immigrant experience in general, and Afghani culture specifically. Fadi is a likable hero who learns from his mistakes, and whose talent allows him to make a unique contribution to finding his sister, for the inevitable happy ending.—Kristin Anderson, Columbus Metropolitan Library System, OH
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