In 1793 Philadelphia, sixteen-year-old Matilda Cook, separated from her sick mother, learns about perseverance and self-reliance when she is forced to cope with the horrors of a yellow fever epidemic. Reader's Guide available. Reprint. - (Baker & Taylor)
In 1793 Philadelphia, sixteen-year-old Matilda Cook, separated from her sick mother, learns about perseverance and self-reliance when she is forced to cope with the horrors of a yellow fever epidemic. - (Baker & Taylor)
<b>An epidemic of fever sweeps through the streets of 1793 Philadelphia in this novel from Laurie Halse Anderson where "the plot rages like the epidemic itself" (<i>The New York Times Book Review</i>).</b><br><br>During the summer of 1793, Mattie Cook lives above the family coffee shop with her widowed mother and grandfather. Mattie spends her days avoiding chores and making plans to turn the family business into the finest Philadelphia has ever seen. But then the fever breaks out.<br> <br>Disease sweeps the streets, destroying everything in its path and turning Mattie's world upside down. At her feverish mother's insistence, Mattie flees the city with her grandfather. But she soon discovers that the sickness is everywhere, and Mattie must learn quickly how to survive in a city turned frantic with disease. - (Simon and Schuster)
Laurie Halse Anderson is a New York Times bestselling author known for tackling tough subjects with humor and sensitivity. She’s twice been a National Book Award finalist, for Chains and Speak; Chains also received the 2009 Scott O’Dell Award for Historical Fiction. Laurie was chosen for the 2009 Margaret A. Edwards Award and received the Astrid Lindgren Memorial Award in 2023, presented to her by the Crown Princess of Sweden. She lives in Pennsylvania, and you can follow her adventures on X (previously known as Twitter) @HalseAnderson or visit her at MadWomanintheForest.com. - (Simon and Schuster)
Booklist Reviews
Gr. 7^-10. Sixteen-year-old Matilda Cook, her widowed mother, and her grandfather are eking out a living running a coffeehouse in the middle of bustling Philadelphia when they learn that their servant girl has died of yellow fever. Thus begins Matilda's odyssey of coping and survival as the disease decimates the city, turning the place into a ghost town and Matilda into an orphan. Anderson has carefully researched this historical event and infuses her story with rich details of time and place (each chapter begins with quotes from books or correspondence of the late-eighteenth century), including some perspective on the little-known role African Americans played in caring for fever victims. The dialogue in Fever is not as natural sounding as it was in Anderson's contemporary novel Speak (1999), which was a Printz Honor Book. But readers probably won't be disappointed by Anderson's writing or by her departure from a modern setting. Nor will teachers, who will find this a good supplement to their American History texts. Anderson tells a good story and certainly proves you can learn a lot about history in good fiction. An appended section gives more background. --Frances Bradburn Copyright 2000 Booklist 2000
Horn Book Guide Reviews
Yellow fever is sweeping through Philadelphia, and for young Mattie, the epidemic begins with the sudden death of a friend. While Anderson smoothly incorporates extensive research into her story, the plot itself is less involving than the situation. However, most will appreciate this book for its portrayal of a fascinating and terrifying time in American history. Copyright 2001 Horn Book Guide Reviews
Horn Book Magazine Reviews
For fourteen-year-old Mattie Cook, the epidemic begins with the news of the sudden and unexpected death of her childhood friend Polly. It is summer 1793, and yellow fever is sweeping through Philadelphia; the death toll will reach five thousand (ten percent of the city's population) before the frost. Mattie, her mother, and grandfather run a coffeehouse on High Street, and when others flee the city, they choose to stay-until Mattie's mother is stricken. Sent away by her mother to escape contagion, Mattie tries to leave, is turned back by quarantine officers, falls ill herself, and is taken to Bush Hill, a city hospital run by the celebrated French doctor Steven Girard. Without ever being didactic, Anderson smoothly incorporates extensive research into her story, using dialogue, narration, and Mattie's own witness to depict folk remedies, debates over treatment, market shortages, the aid work done by free blacks to care for and bury the victims, the breakdown of Philadelphia society, and countless tales of sufferers and survivors. With such a wealth of historical information (nicely set forth in a highly readable appendix), it's a shame that the plot itself is less involving than the situation. While Mattie is tenacious and likable, her adventures are a series of episodes only casually related to the slender narrative arc in which she wonders if her mother has survived the fever and whether they will be reunited. Subplots concerning Mattie's own entrepreneurial ambitions and her budding romance with a painter apprenticed to the famous Peale family wait offstage until the end of the book. Still, Anderson has gone far to immerse her readers in the world of the 1793 epidemic; most will appreciate this book for its portrayal of a fascinating and terrifying time in American history. anita l. burkam Copyright 2000 Horn Book Reviews
Kirkus Reviews
In an intense, well-researched tale that will resonate particularly with readers in parts of the country where the West Nile virus and other insect-borne diseases are active, Anderson (Speak, 1999, etc.) takes a Philadelphia teenager through one of the most devastating outbreaks of yellow fever in our country's history. It's 1793, and though business has never been better at the coffeehouse run by Matilda's widowed, strong-minded mother in what is then the national capital, vague rumors of disease come home to roost when the serving girl dies without warning one August night. Soon church bells are ringing ceaselessly for the dead as panicked residents, amid unrelenting heat and clouds of insects, huddle in their houses, stream out of town, or desperatelysubmit to the conflicting dictates of doctors. Matilda and her mother both collapse, and in the ensuing confusion, they lose track of each other. Witnessing people behaving well and badly, Matilda first recovers slowly in a makeshift hospital, then joinsthe coffeehouse's cook, Emma, a free African-American, in tending to the poor and nursing three small, stricken children. When at long last the October frosts signal the epidemic's end, Emma and Matilda reopen the coffeehouse as partners, and Matilda's mother turns up—alive, but a trembling shadow of her former self. Like Paul Fleischman's Path of the Pale Horse (1983), which has the same setting, or Anna Myers's Graveyard Girl (1995), about a similar epidemic nearly a century later, readers will find this a gripping picture of disease's devastating effect on people, and on the social fabric itself. (Fiction. 11-13) Copyright 2000 Kirkus Reviews
Publishers Weekly Reviews
PW called this ambitious novel about the yellow fever epidemic that ravaged 18th-century Philadelphia "extremely well researched. However, larger scale views take precedence over the kind of intimate scenes that Anderson crafted so masterfully in Speak." Ages 10-up. (Mar.) Copyright 2001 Cahners Business Information.
Publishers Weekly Reviews
The opening scene of Anderson's ambitious novel about the yellow fever epidemic that ravaged Philadelphia in the late 18th century shows a hint of the gallows humor and insight of her previous novel, Speak. Sixteen-year-old Matilda "Mattie" Cook awakens in the sweltering summer heat on August 16th, 1793, to her mother's command to rouse and with a mosquito buzzing in her ear. She shoos her cat from her mother's favorite quilt and thinks to herself, "I had just saved her precious quilt from disaster, but would she appreciate it? Of course not." Mattie's wit again shines through several chapters later during a visit to her wealthy neighbors' house, the Ogilvies. Having refused to let their serving girl, Eliza, coif her for the occasion, Mattie regrets it as soon as she lays eyes on the Ogilvie sisters, who wear matching bombazine gowns, curly hair piled high on their heads ("I should have let Eliza curl my hair. Dash it all"). But thereafter, Mattie's character development, as well as those of her grandfather and widowed mother, takes a back seat to the historical details of Philadelphia and environs. Extremely well researched, Anderson's novel paints a vivid picture of the seedy waterfront, the devastation the disease wreaks on a once thriving city, and the bitterness of neighbor toward neighbor as those suspected of infection are physically cast aside. However, these larger scale views take precedence over the kind of intimate scenes that Anderson crafted so masterfully in Speak. Scenes of historical significance, such as George Washington returning to Philadelphia, then the nation's capital, to signify the end of the epidemic are delivered with more impact than scenes of great personal significance to Mattie. Ages 10-14. (Sept.) Copyright 2000 Cahners Business Information.
School Library Journal Reviews
Gr 6-10-The sights, sounds, and smells of Philadelphia when it was still the nation's capital are vividly re-created in this well-told tale of a girl's coming-of-age, hastened by the outbreak of yellow fever. As this novel opens, Matilda Cook, 14, wakes up grudgingly to face another hot August day filled with the chores appropriate to the daughter of a coffeehouse owner. At its close, four months later, she is running the coffeehouse, poised to move forward with her dreams. Ambitious, resentful of the ordinary tedium of her life, and romantically imaginative, Matilda is a believable teenager, so immersed in her own problems that she can describe the freed and widowed slave who works for her family as the "luckiest" person she knows. Ironically, it is Mattie who is lucky in the loyalty of Eliza. The woman finds medical help when Mattie's mother falls ill, takes charge while the girl is sent away to the countryside, and works with the Free African Society. She takes Mattie in after her grandfather dies, and helps her reestablish the coffeehouse. Eliza's story is part of an important chapter in African-American history, but it is just one of many facets of this story of an epidemic. Mattie's friend Nathaniel, apprentice to the painter Master Peale, emerges as a clear partner in her future. There are numerous eyewitness accounts of the devastation by Dr. Benjamin Rush and other prominent Philadelphians of the day. Readers will be drawn in by the characters and will emerge with a sharp and graphic picture of another world.-Kathleen Isaacs, Edmund Burke School, Washington, DC Copyright 2000 Cahners Business Information.
