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The hate u give
2017
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"Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed. Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil's name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr. But what Starr does or does not say could upend her community. Itcould also endanger her life"-- - (Baker & Taylor)

After witnessing her friend's death at the hands of a police officer, Starr Carter's life is complicated when the police and a local drug lord try to intimidate her in an effort to learn what happened the night Kahlil died. - (Baker & Taylor)

8 starred reviews · Goodreads Choice Awards Best of the Best  ·  William C. Morris Award Winner · National Book Award Longlist · Printz Honor Book · Coretta Scott King Honor Book · #1 New York Times Bestseller!

"Absolutely riveting!" &;Jason Reynolds

"Stunning." &;John Green

"This story is necessary. This story is important." &;Kirkus (starred review)

"Heartbreakingly topical." &;Publishers Weekly (starred review)

"A marvel of verisimilitude." &;Booklist (starred review)

"A powerful, in-your-face novel." &;Horn Book (starred review)

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil&;s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does&;or does not&;say could upend her community. It could also endanger her life.

Want more of Garden Heights? Catch Maverick and Seven&;s story in Concrete Rose, Angie Thomas's powerful prequel to The Hate U Give.

- (HARPERCOLL)

Flap Cover Text

SIXTEEN-YEAR-OLD STARR CARTER moves between two worlds: the poor black neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend, Khalil, at the hands of a police officer. Khalil was unarmed.

Soon afterward, Khalil&;s death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Starr&;s best friend at school suggests he may have had it coming. When it becomes clear the police have little interest in investigating the incident, protesters take to the streets and Starr&;s neighborhood becomes a war zone. What everyone wants to know is: What really went down that night? And the only person alive who can answer that is Starr. But what Starr does&;or does not&;say could destroy her community. It could also endanger her life.

Angie Thomas&;s searing debut about an ordinary girl in extraordinary circum-stances addresses issues of racism and police violence with intelligence, heart, and un-flinching honesty.

This collector&;s edition of the acclaimed, award-winning novel contains a letter from the author; the meanings behind the names; a map of Garden Heights; fan art; the full, original story that inspired the book; and an excerpt from On the Come Up.

- (HARPERCOLL)

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Trade Reviews

Booklist Reviews

*Starred Review* Sixteen-year-old Starr lives in two very different worlds: one is her home in a poor black urban neighborhood; the other is the tony suburban prep school she attends and the white boy she dates there. Her bifurcated life changes dramatically when she is the only witness to the unprovoked police shooting of her unarmed friend Khalil and is challenged to speak out—though with trepidation—about the injustices being done in the event's wake. As the case becomes national news, violence erupts in her neighborhood, and Starr finds herself and her family caught in the middle. Difficulties are exacerbated by their encounters with the local drug lord for whom Khalil was dealing to earn money for his impoverished family. If there is to be hope for change, Starr comes to realize, it must be through the exercise of her voice, even if it puts her and her family in harm's way. Thomas' debut, both a searing indictment of injustice and a clear-eyed, dramatic examination of the complexities of race in America, invites deep thoughts about our social fabric, ethics, morality, and justice. Beautifully written in Starr's authentic first-person voice, this is a marvel of verisimilitude as it insightfully examines two worlds in collision. An inarguably important book that demands the widest possible readership. HIGH-DEMAND BACKSTORY: From the moment this book sold, it has been high-profile. An in-the-works movie adaptation will further push this to the head of the class. Copyright 2016 Booklist Reviews.

Horn Book Guide Reviews

African American sixteen-year-old Starr Carter lives a life caught between her rough, predominantly black neighborhood and the "proper," predominantly white prep school she attends. This precarious balance is broken when Starr witnesses the shooting of her (unarmed) childhood friend Khalil by a police officer. Debut author Thomas is adept at capturing the voices of multiple characters in her powerful, in-your-face novel. Copyright 2017 Horn Book Guide Reviews.

Horn Book Magazine Reviews

Sixteen-year-old Starr Carter lives a life many African American teenagers can relate to: a life of double consciousness. Caught between her rough, predominantly black neighborhood and the "proper," predominantly white prep school she attends, Starr has learned how to "speak with two different voices and only say certain things around certain people." This precarious balance is broken when Starr witnesses the shooting of her (unarmed) childhood friend Khalil at the hands of a police officer. What follows is a gut-wrenching chain of events that alters all Starr holds dear. New relationships are forged, old ones are severed, and adversaries arise as Starr's family, friends, school, and neighborhood react to Khalil's death, including questioning who Khalil was, and whether his death was justified. Between her neighborhood's "no-snitching" code and inaccurate media portrayals, Starr must decide whether or not to speak out—and her decision could endanger her life. With a title taken from rapper Tupac Shakur's acronym THUG LIFE ("The Hate U Give Little Infants Fucks Everybody"), the novel introduces numerous components of the urban experience, "thug life" included. From drug addicts to police officers, most characters are multifaceted, proving that Starr's world is not all black or white (or black vs. white, for that matter). The story, with so many issues addressed, can feel overwhelming at times, but then again, so can the life of an African American teen. Debut author Thomas is adept at capturing the voices of multiple characters, and she ultimately succeeds in restoring Starr's true voice. Thomas has penned a powerful, in-your-face novel that will similarly galvanize fans of Kekla Magoon's How It Went Down (rev. 11/14) and Jason Reynolds and Brendan Kiely's All American Boys (rev. 11/15). eboni njoku Copyright 2017 Horn Book Magazine Reviews.

Kirkus Reviews

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school. Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil's death becomes national news, where he's called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr's best friends at school. The police's lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil's death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr's natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family. This story is necessary. This story is important. (Fiction. 14 & up) Copyright Kirkus 2016 Kirkus/BPI Communications. All rights reserved.

Publishers Weekly Reviews

At home in a neighborhood riven with gang strife, Starr Carter, 16, is both the grocer's daughter and an outsider, because she attends private school many miles away. But at Williamson Prep, where she's among a handful of black students, she can't be herself either: no slang, no anger, no attitude. That version of herself—"Williamson Starr"—"doesn't give anyone a reason to call her ghetto." She's already wrestling with what Du Bois called "double consciousness" when she accepts a ride home from Khalil, a childhood friend, who is then pulled over and shot dead by a white cop. Starr's voice commands attention from page one, a conflicted but clear-eyed lens through which debut author Thomas examines Khalil's killing, casual racism at Williamson, and Starr's strained relationship with her white boyfriend. Though Thomas's story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large. Ages 14–up. Agent: Brooks Sherman, Bent Agency. (Feb.) Copyright 2016 Publisher Weekly.

School Library Journal Reviews

Gr 8 Up—After Starr and her childhood friend Khalil, both black, leave a party together, they are pulled over by a white police officer, who kills Khalil. The sole witness to the homicide, Starr must testify before a grand jury that will decide whether to indict the cop, and she's terrified, especially as emotions run high. By turns frightened, discouraged, enraged, and impassioned, Starr is authentically adolescent in her reactions. Inhabiting two vastly different spheres—her poor, predominantly black neighborhood, Garden Heights, where gangs are a fact of life, and her rich, mostly white private school—causes strain, and Thomas perceptively illustrates how the personal is political: Starr is disturbed by the racism of her white friend Hailey, who writes Khalil off as a drug dealer, and Starr's father is torn between his desire to support Garden Heights and his need to move his family to a safer environment. The first-person, present-tense narrative is immediate and intense, and the pacing is strong, with Thomas balancing dramatic scenes of violence and protest with moments of reflection. The characterization is slightly uneven; at times, Starr's friends at school feel thinly fleshed out. However, Starr, her family, and the individuals in their neighborhood are achingly real and lovingly crafted. VERDICT Pair this powerful debut with Jason Reynolds and Brendan Kiely's All American Boys to start a conversation on racism, police brutality, and the Black Lives Matter movement.—Mahnaz Dar, School Library Journal

Copyright 2016 School Library Journal.

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