A biographical debut by a Pushcart Prize-winning writer traces her upbringing in the housing projects of Puerto Rico, her mother’s battle with schizophrenia, her personal struggles with sexual assault and her efforts to pursue a literary career. 50,000 first printing. Tour. - (Baker & Taylor)

"Jaquira Dâiaz writes an unflinching account of growing up as a queer biracial girl searching for home as her family splits apart and her mother struggles with mental illness and addiction. From her own struggles with depression and drug abuse to her experiences of violence to Puerto Rico's history of colonialism, every page vibrates with music and lyricism"-- - (Baker & Taylor)

One of the Must-Read Books of 2019 According to O: The Oprah Magazine * Time * Bustle * Electric Literature * Publishers Weekly * The Millions * The Week * Good Housekeeping

'there is more life packed on each page of Ordinary Girls than some lives hold in a lifetime.' 'Julia Alvarez 

In this searing memoir, Jaquira Díaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age.

While growing up in housing projects in Puerto Rico and Miami Beach, Díaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she was supported by the love of her friends. As she longed for a family and home, her life was upended by violence. As she celebrated her Puerto Rican culture, she couldn't find support for her burgeoning sexual identity. From her own struggles with depression and sexual assault to Puerto Rico's history of colonialism, every page of Ordinary Girls vibrates with music and lyricism. Díaz writes with raw and refreshing honesty, triumphantly mapping a way out of despair toward love and hope to become her version of the girl she always wanted to be.

Reminiscent of Tara Westover's Educated, Kiese Laymon's Heavy, Mary Karr's The Liars' Club, and Terese Marie Mailhot's Heart Berries, Jaquira Díaz's memoir provides a vivid portrait of a life lived in (and beyond) the borders of Puerto Rico and its complicated history'and reads as electrically as a novel. - (Workman Press.)

Booklist Reviews

Accomplished writer and storyteller Díaz recollects the remarkable and violent moments that shaped her life in this candid and compelling memoir. The narrative begins in her native Puerto Rico, where she was a child being introduced to the literary and political greats of Boricua culture, and culminates in the present when she is a professor and writer. Díaz shares her journey of survival without embellishment and is unabashed about the lurid and painful details of her existence, including sexual and physical assaults, drug abuse, bouts of homelessness, and stints in juvenile detention centers. Díaz's strength lies in how she can enliven the places she inhabits, from the seedy Miami streets she roams to sordid spaces she occupies. Her skillful weaving-in of several harrowing deaths that made national headlines, including the Casey Anthony case and the Baby Lolliipops Murder, illuminates some eerie similarities and connections to her life. While the story of a typical displaced girl's life could have been tragic, Díaz takes charge, changes her trajectory, and tells a tale of an individual who ultimately triumphs. Copyright 2019 Booklist Reviews.

Kirkus Reviews

An "ordinary girl" rebels against her unstable life in Puerto Rico and Miami Beach until military service helps her gain a life-altering self-confidence. Growing up in housing projects in Puerto Rico, Díaz (editor: 15 Views of Miami, 2014) tossed aside the blonde-haired Barbie dolls her elders gave her. "They always made me feel ugly, the brown kid who would never look like her white mother," she writes in her inventive debut memoir. It didn't help that her philandering father sold drugs, her mother showed alarming signs of her soon-to-be-diagnosed schizophrenia, and only her loving grandmother provided a stable presence in her life and those of her two siblings. Hoping for better, her father moved the family to Miami Beach when Díaz was in elementary school. But the money ran out, and the family was evicted repeatedly from shabby apartments. As "a closeted queer girl in a homophobic place," the author couldn't adjust, kept getting arrested, and ended up in Narcotics Anonymous and a juvenile detention center. Depressed and desperate to end the free fall, she dropped out of high school at 16, married at 17, and made a life-ch anging move at 18, enlisting in the U.S. Navy. As she aced military tests, her faith in herself grew and led eventually to a graduate degree and a literary career that has earned her two Pushcart Prizes. Using flashbacks, shifts in tense, and other novelistic devices, Díaz weaves impressionistic vignettes about Puerto Rican history and culture into her story, which begins when she watches an activist's funeral procession in Puerto Rico in 1985 and ends after a recent visit to the island in the wake of Hurricane María. Along the way, she withholds key dates and other facts that would have made it easier to put some events in context. However, the literary bells and whistles give her story a broader interest than many memoirs that are more solipsistic. This book isn't just about the author's quest for self-determination; it's also about Puerto Rico's. An unusually creative memoir of a bicultural life. Copyright Kirkus 2019 Kirkus/BPI Communications. All rights reserved.

Library Journal Reviews

A two-time Pushcart Prize winner whose work has appeared in The Best American Essays, Díaz here tells the wrenching story of growing up queer and biracial in Puerto Rico and Miami and her struggle to find a place for herself as her family splinters apart and her mother succumbs to mental illness and addiction. With a 50,000-copy first printing.

Library Journal Reviews

What does it mean to be an ordinary girl? For Diaz, everything, including remembering, "we were happy once." Her compelling debut is one of unpredictability, recalling her family's move from place to place in Puerto Rico, her parents always in search of a better life. Meanwhile, her abuela provided the support that her parents could not, as Mami lived with mental illness and Papi sought refuge in work. Diaz writes affectionately about the emotional toll of schizophrenia, and how Mami became adrift. In Diaz's telling, she lost her slowly while becoming angry at the whole world—and as a result felt unmoored within it. Set against Puerto Rico's history of colonialism, the narrative follows Diaz and her family as they relocate to Miami Beach, FL, finding the promise of a richer life unfulfilled. Diaz recounts her experiences with depression, seeking comfort from friends and partners after her parents' divorce. Powerful later chapters relate her marriage at a young age, decision to enlist in the military, and the aftermath of those choices. Her ongoing self-discovery leads her to turn to writing as a means of embracing herself and her sexuality. VERDICT A must-read memoir on vulnerability, courage, and everything in between from a standout writer. [See Prepub Alert, 4/1/19]—Stephanie Sendaula, Library Journal

Publishers Weekly Reviews

Díaz's strong debut memoir charts her poor, violent childhood in Puerto Rico and Miami and her bumpy transition from girlhood to womanhood. The book opens in 1985 in Puerto Rico, where Díaz's father, Papi, was a drug dealer and her mother, Mami, was an erratic personality who'd soon be in the grips of schizophrenia. Within a few years the family moved to Miami Beach, in pursuit of better opportunities. Díaz recalls that her parents were constantly fighting and uprooting her and her two siblings: "every new apartment would be smaller than the last." She writes about being a juvenile delinquent and "a closeted queer girl in a homophobic place," taking drugs, running away, getting married at 17, and being sexually assaulted. Her most gripping stories concern the women in her life: her angry maternal grandmother, who mocked her appearance; her paternal grandmother, who brought her joy and relief; and her mother, a "shattered creature" whom she watched descend into mental illness and addiction. A turning point for Díaz comes toward the end of the book, when Díaz details how enlisting in the Navy at 18 gave her the stability she needed. Díaz's empowering book wonderfully portrays the female struggle and the patterns of family dysfunction. (Oct.)