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Mexican Gothic
2020
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"The acclaimed author of Gods of Jade and Shadow returns with a darkly enchanting reimagining of Gothic fantasy, in which a spirited young woman discovers the haunting secrets of a beautiful old mansion in 1950s Mexico"-- - (Baker & Taylor)

A reimagining of the classic gothic suspense novel follows the experiences of a courageous socialite in 1950s Mexico who is drawn into the treacherous secrets of an isolated mansion. By the author of Gods of Jade and Shadow. - (Baker & Taylor)

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian
 
ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD

ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads
 
An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico.


After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.   
 
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
 
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. 
 
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

“It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post

“Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”Nerdist

“A period thriller as rich in suspense as it is in lush ’50s atmosphere.”Entertainment Weekly
- (Random House, Inc.)

Author Biography

Silvia Moreno-Garcia is the author of the novels Velvet Was the Night, Mexican Gothic, Gods of Jade and Shadow, and a bunch of other books. She has also edited several anthologies, including the World Fantasy Award–winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters). She has been nominated for the Locus Award for her work as an editor and has won the British Fantasy Award and the Locus Award for her work as a novelist. - (Random House, Inc.)

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Booklist Reviews

Moreno-Garcia applies a Mexican-inspired twist across a variety of genres, most recently to crime fiction with Untamed Shore (2020). Now she takes on gothic suspense with a shiver-inducing tale combining touches of Northanger Abbey with bits of the Gormenghast trilogy thrown in for good measure. Noemí Taboada, privileged daughter of a wealthy Mexican industrialist, is a high-spirited flirt who is not prone to flights of fancy and not in the habit of believing in the supernatural. When Noemí's father sends her to check on her cousin who may be suffering delusions—or could be in danger from her new spouse—she finds a small, tight-knit family with strict rules and a troubled past, living in a mold-infested manor house. They are ruled by a dying patriarch with strong beliefs in eugenics who is oddly delighted to have another young lady come to their isolated estate, despite her inferior blood. The ever-present imagery of twisting vines and snakes swallowing their tails blends with ghostly memories of death and disease to create a fascinating atmosphere of dark dreams and intrigue. Copyright 2020 Booklist Reviews.

Kirkus Reviews

Moreno-Garcia offers a terrifying twist on classic gothic horror, set in 1950s Mexico. Inquisitive 22-year-old socialite and anthropology enthusiast Noemí Taboada adores beautiful clothes and nights on the town in Mexico City with a bevy of handsome suitors, but her carefree existence is cut short when her father shows her a disturbing letter from her cousin Catalina, who recently married fair-haired and blue-eyed Virgil Doyle, who comes from a prominent English mining family that built their now-dwindling fortune on the backs of Indigenous laborers. Catalina lives in High Place, the Doyle family's crumbling mansion near the former mining town of El Triunfo. In the letter, Catalina begs for Noemí's help, claiming that she is "bound, threads like iron through my mind and my skin," and that High Place is "sick with rot, stinks of decay, brims with every single evil and cruel sentiment." Upon Noemí's arrival at High Place, she's struck by the Doyle family's cool reception of her and their unabashed racism. She's alarmed by the once-vibrant Catalina's listless s tate and by the enigmatic Virgil and his ancient, leering father, Howard. Nightmares, hallucinations, and phantasmagoric dreams of golden dust and fleshy bodies plague Noemí, and it becomes apparent that the Doyles haven't left their blood-soaked legacy behind. Luckily, the brave Noemí is no delicate flower, and she'll need all her wits about her for the battle ahead. Moreno-Garcia weaves elements of Mexican folklore with themes of decay, sacrifice, and rebirth, casting a dark spell all the way to the visceral and heart-pounding finale. Fans of gothic classics like Rebecca will be enthralled as long as they don't mind a heaping dose of all-out horror. Copyright Kirkus 2020 Kirkus/BPI Communications. All rights reserved.

Library Journal Reviews

When Mexico City debutante Noemí Taboada receives a desperate letter from her newlywed cousin Catalina, she heads to High Place manor in the Mexican countryside to investigate. As a socialite accustomed to the best that life in the 1950s has to offer, Noemí is appalled at the state of the isolated property and the deteriorating health of her cousin. When Catalina's English husband, Virgil, and Dr. Cummins, the family physician, answer her inquiries evasively, Noemí befriends Francis, the skittish, outcast youngest son who is eager to escape his family's legacy. As the clues about the manor's cursed, violent history and its patriarchal powers compound, Noemí's chances to escape, and rescue her cousin, fade. Do the answers lie within the pulsing walls of the manor, the flora of the grounds, or the cryptic, coded dreams of its inhabitants? As clarity becomes elusive and hope of outside rescue wanes, Noemí confronts the predestined, secretive pathos of the family, hoping to rectify its corruption. VERDICT This original, well-paced novel from Moreno-Garcia (Gods of Jade and Shadow) has great gothic elements with a little VanderMeer creativity thrown in. [See Prepub Alert, 12/9/19.]—Tina Panik, Avon Free P.L., CT

Copyright 2020 Library Journal.

Publishers Weekly Reviews

Moreno-Garcia's energetic romp through the gothic genre (after Gods of Jade and Shadow) is delightfully bonkers. In the 1950s, Noemí, a flirtatious socialite and college student, travels from Mexico City to rescue her cousin Catalina from the nightmarish High Place, a remote Mexican mountain villa. Catalina has recently married the chilly, imperiously seductive Virgil Doyle, heir to a now defunct British silver mining operation. Beset by mysterious fevers, Catalina has written to her uncle, Noemí's father, telling him, "This house is sick with rot, stinks of decay, brims with every single evil and cruel sentiment." Noemí clashes with Virgil's father, Howard—who subscribes to theories of eugenics—along with a set of oddly robotic British servants. Beset by horrifying dreams and visions, and unsettled by a peculiar fungus that grows everywhere, Noemí soon fears for her own life as well as Catalina's. In a novel that owes a considerable debt to the nightmarish horror and ornate language of H.P. Lovecraft, the situations in which Noemí attempts to prevail get wilder and stranger with every chapter, as High Place starts exhibiting a mind of its own, and Noemi learns that Howard is far older than he appears to be. Readers who find the usual country house mystery too tame and languid won't have that problem here. (June)

Copyright 2020 Publishers Weekly.

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