"Drawn from Kao Kalia Yang's childhood experiences as a Hmong refugee, this heartfelt picture book offers a window into the life of a family with little money and a great deal of love"-- - (Baker & Taylor)

A warmhearted and tender true story about a young girl finding beauty where she never thought to look.

Drawn from author Kao Kalia Yang's childhood experiences as a Hmong refugee, this moving picture book portrays a family with a great deal of love and little money. Weaving together Kalia's story with that of her beloved grandmother, the book moves from the jungles of Laos to the family's early years in the United States.

When Kalia becomes unhappy about having to do without and decides she wants braces to improve her smile, it is her grandmother—a woman who has just one tooth in her mouth—who helps her see that true beauty is found with those we love most. Stunning illustrations from Vietnamese illustrator Khoa Le bring this intergenerational tale to life.

"A deep and moving reflection on enduring hardship and generational love. . . . Poignant storytelling with stunning visuals."—starred, Kirkus Reviews

"A sincere narrative that centers on the power of family love."—starred, School Library Journal

Minnesota Book Award Finalist, ALA Notable Children's Book, New York Public Library Best Book for Kids, NPR Best Book of the Year

Booklist Reviews

This story, based on the author's childhood, tells of a refugee Hmong family recently arrived in the U.S. Kalia reflects on how the family, which includes a mother, a father, two young girls, and their grandmother, was very poor and lived a hand-to-mouth existence. They revere their elderly member: "The luckiest of the grandchildren got to help take care of Grandma." A cousin washes her clothes and Kalia's sister, Dawb, helps the older woman with her bath. It is Kalia's privilege to assist with grooming Grandma's hands and feet. While attending to her duties, Kalia notes how rough and discolored Grandma's feet are, prompting her to ask questions. She learns about how Grandma grew up orphaned and shoeless in another country and about the time Grandma faced down a tiger. It's Grandma who teaches Kalia a most valuable lesson about being grateful for "the most beautiful thing" in the world. Richly colored mixed-media illustrations feature beautiful, intricate patterns as a backdrop to this tale of a close-knit, multigenerational family. Grades K-3. Copyright 2020 Booklist Reviews.

Kirkus Reviews

A deep and moving reflection on enduring hardship and generational love. Kalia's grandmother holds a revered place among her Hmong family. Her origins feel almost mythic in stature as Kalia recounts how no one knows Grandma's true age and how, as a young girl, she escaped a tiger in the jungle. Grandma is a survivor; the struggles of raising her orphaned siblings and immigrating across the world have only made her stronger. Despite a life of adversity, Grandma continues to smile through challenges. As Kalia grows older, she struggles with her family's poverty until Grandma offers a powerful reminder of what matters most. This picture-book memoir for older readers explores perseverance, financial hardship, and the richness of family connection. Gorgeously illustrated with lush florals and foliage, these images capture both the magic and constancy of Grandma's love. Nods to the importance of fabric in Hmong culture are represented with beautiful paj ntaub–style endpapers symbolizing family and the embroidered designs on Grandma's clothing. Sh e is the only character pictured in these traditional fabrics, representing her honored matriarch status and the legacy she passes along: an ability to bloom even in the toughest conditions. Poignant storytelling with stunning visuals. (pronunciation guide, glossary) (Picture book/biography. 5-9) Copyright Kirkus 2020 Kirkus/BPI Communications. All rights reserved.

PW Annex Reviews

Yang centers her cherished paternal grandmother in this poignant picture book memoir. Utilizing the past tense, Yang's narration is effectively mythologizing ("All my life with her, even with just her one tooth, Grandma never said no when we offered her something to eat"), crafting a portrait of her grandmother as a strong matriarch who was orphaned young, foraged for food for her three younger siblings, and once faced down a tiger, yet still persisted. As Kalia gets older, though, she begins to grow frustrated with the amenities her family regularly forgoes as poor Hmong refugees— and when Kalia asks for braces, Grandma reminds her what truly matters. The level of detail in Le's textural illustrations, rendered in mixed media and digitally, recalls the intricate needlework designs of traditional Hmong textiles, and the story's depths of familial love and history ground the narrative. Front matter includes a bilingual glossary, including pronunciations. Ages 7–8. Author's Agent: Bill Clegg, Clegg Agency. Illustrator's agent: Kate Kendrick, Astound US.(Oct.)

School Library Journal Reviews

K-Gr 3—A heartfelt narrative alongside beautiful mixed-media images. Yang, who was born in the refugee camps of Thailand and moved to America with her family at the age of six, draws on her personal experiences as a Hmong refugee. Yang and her family did not have money to buy treats from the ice cream truck or purchase new clothes for the first day of school. After every Hmong New Year, the grandchildren stationed themselves around Grandma to listen to her childhood stories. When Yang started to feel the burden of growing up without financial privilege, her grandmother provided a loving, illuminating perspective. This tender picture book highlights the importance of familial bonds and human resilience in the midst of material struggle. Vietnamese illustrator Le depicts lush scenes that are realistic and fantastical. The stories of Grandma's past swirl with rich colors. The depictions of poverty across generations will elicit empathy. VERDICT A sincere narrative that centers on the power of family love. Recommended for fans of Yang's previous work as well as those who enjoyed Fry Bread by Kevin Noble Maillard and Saturday by Oge Mora.—Hilary Tufo, Columbus Metropolitan Lib., Reynoldsburg, OH