Shares the story of Nobel Peace Prize winner Wangari Muta Maathai, who founded the Green Belt Movement through which everyday Africans combat environmental degradation. Illustrated by the Caldecott Honor and Coretta Scott King Award-winning artist of Moses. 30,000 first printing. - (Baker & Taylor)

Tells a true story of Wangari Maathai, the first African woman to win the Nobel Peace Prize, who introduced the idea of planting trees for peace to Kenyan citizens. - (Baker & Taylor)

Tells a true story of Wangari Maathai, the African woman to win the Nobel Peace Prize winner, who introduced the idea of planting trees for peace to Kenyan citizens. - (Baker & Taylor)

NAACP Image Award Nominee

“In a word, stunning.” —Kirkus Reviews (starred review)

Through artful prose and beautiful illustrations, Donna Jo Napoli and Kadir Nelson tell the true story of Wangari Muta Maathai, known as “Mama Miti,” who in 1977 founded the Green Belt Movement, an African grassroots organization that has empowered many people to mobilize and combat deforestation, soil erosion, and environmental degradation.

Today, more than 30 million trees have been planted throughout Mama Miti’s native Kenya, and in 2004 she became the first African woman to win the Nobel Peace Prize. Wangari Muta Maathai has changed Kenya tree by tree—and with each page turned, children will realize their own ability to positively impact the future. - (Simon and Schuster)

NAACP Image Award Nominee

'In a word, stunning.' 'Kirkus Reviews (starred review)

Through artful prose and beautiful illustrations, Donna Jo Napoli and Kadir Nelson tell the true story of Wangari Muta Maathai, known as 'mama Miti," who in 1977 founded the Green Belt Movement, an African grassroots organization that has empowered many people to mobilize and combat deforestation, soil erosion, and environmental degradation.

Today, more than 30 million trees have been planted throughout Mama Miti's native Kenya, and in 2004 she became the first African woman to win the Nobel Peace Prize. Wangari Muta Maathai has changed Kenya tree by tree'and with each page turned, children will realize their own ability to positively impact the future. - (Simon and Schuster)

Donna Jo Napoli is the acclaimed and award-winning author of many novels, both fantasies and contemporary stories. She won the Golden Kite Award for Stones in Water in 1997. Her novel Zel was named an American Bookseller Pick of the Lists, a Publishers Weekly Best Book, a Bulletin Blue Ribbon, and a School Library Journal Best Book, and a number of her novels have been selected as ALA Best Books. She is a professor of linguistics at Swarthmore College in Pennsylvania, where she lives with her husband. Visit her at DonnaJoNapoli.com.

Kadir Nelson is an award-winning American artist whose works have been exhibited in major national and international publications, institutions, art galleries, and museums. Nelson’s work has won the Coretta Scott King Award, the Robert F. Sibert Award, two Coretta Scott King Illustrator Honor Awards, and the 2005 Society of Illustrators Gold Medal. His beloved, award-winning, and bestselling picture books include We Are the Ship: The Story of Negro League Baseball; Thunder Rose, written by Jerdine Nolen; Ellington Was Not a Street, written by Ntozake Shange; Salt in His Shoes, written by Deloris Jordan and Roslyn M. Jordan; and many more. Kadir lives in Los Angeles. - (Simon and Schuster)

Donna Jo Napoli is the acclaimed and award-winning author of many novels, both fantasies and contemporary stories. She won the Golden Kite Award for Stones in Water in 1997. Her novel Zel was named an American Bookseller Pick of the Lists, a Publishers Weekly Best Book, a Bulletin Blue Ribbon, and a School Library Journal Best Book, and a number of her novels have been selected as ALA Best Books. She is a professor of linguistics at Swarthmore College in Pennsylvania, where she lives with her husband. Visit her at DonnaJoNapoli.com.

Kadir Nelson is an award-winning American artist whose works have been exhibited in major national and international publications, institutions, art galleries, and museums. Nelson's work has won the Coretta Scott King Award, the Robert F. Sibert Award, two Coretta Scott King Illustrator Honor Awards, and the 2005 Society of Illustrators Gold Medal. His beloved, award-winning, and bestselling picture books include We Are the Ship: The Story of Negro League Baseball; Thunder Rose, written by Jerdine Nolen; Ellington Was Not a Street, written by Ntozake Shange; Salt in His Shoes, written by Deloris Jordan and Roslyn M. Jordan; and many more. Kadir lives in Los Angeles. - (Simon and Schuster)

Booklist Reviews

Luminous illustrations are the highlight of this third recent picture-book biography of Wangari Maathai, the Kenyan environmental activist who received the 2004 Nobel Peace Prize. In brief, poetic lines that have a folktale tone, Napoli describes how "wise Wangari" helped Kenyan village women solve problems from hunger to dirty water with the same solution: "Plant a tree." Eventually, Maathai's Green Belt movement became a worldwide mission. Jeanette Winter's Wangari's Trees of Peace: A True Story from Africa and Claire A. Nivola's Planting the Trees of Kenya: The Story of Wangari Maathai (both 2008) integrate more background context, and readers encountering Maathai's story for the first time here will need to start with the appended short biography in order to understand the story's generalized references. Most noteworthy is Nelson's vibrant collage artwork, which features soaring portraits and lush landscapes in oil paint and printed fabrics. An author's note about sources and a glossary of Kikuyu and Swahili words used throughout the text close this moving tribute, which will partner well with Winter's and Nivola's titles. Copyright 2010 Booklist Reviews.

Horn Book Guide Reviews

This picture book celebrates Kenyan Nobel Peace Prize winner Wangari Maathai who, by encouraging women to plant trees, also gave them a way to improve their lives. Napoli's text is spare but powerful (e.g., "Kenya was strong once more, strong and peaceful"), and Nelson's collage illustrations have the pleasing beauty of a well-made quilt. Back matter supplies information about Maathai's Green Belt Movement. Websites. Glos. Copyright 2010 Horn Book Guide Reviews.

Kirkus Reviews

Napoli adopts a folkloric narrative technique to showcase the life work of Wangari Maathai, whose seminal role in Kenya's reforestation earned her the Nobel Peace Prize in 2004. When, one after the other, women journey to Maathai to seek counsel about scarce food, disappearing firewood and ailing animals, she tells them, "Plant a tree….Thayu nyumba—peace, my people." Specific tree species and their utility are mentioned in the text and reiterated in a glossary. Nelson's pictures, a jaw-dropping union of African textiles collaged with oil paintings, brilliantly capture the villagers' clothing and the greening landscape. The richly modulated oils portray the dignified, intent gazes of Maathai and other Kenyans, and the illustrator's signature use of perspective suggests the everyday heroism of his subjects. In addition to incorporating the fabric collages (and some whimsy in his animal depictions), the artist newly focuses on landscape, with many double-page spreads depicting undulating fields, distant mountains and a white-hot sky. Deserving of a special place with Claire Nivola's Planting the Trees of Kenya (2008), this is, in a word, stunning. (afterword, glossary, author's and illustrator's notes) (Picture book. 4-8) Copyright Kirkus 2009 Kirkus/BPI Communications.All rights reserved.

Publishers Weekly Reviews

While Nobel Medalist Wangari Maathai has been the subject of two earlier picture biographies (Jeanette Winter's Wangari's Trees of Peace and Claire Nivola's Planting the Trees of Kenya), this story is structured more like a folktale, portraying Maathai as healer and botanist. "These are strong hands," she tells a woman who does not have enough food to feed her family. "Here are seedlings of the mubiru muiru tree.... Plant as many as you can. Eat the berries." Nelson's (We Are the Ship) breathtaking portraits of Maathai often have a beatific quality; bright African textiles represent fields, mountains, and Maathai's beloved trees. Maathai knows that some trees make good firewood, others form hedges to keep livestock safe, while the roots of others clean dirty water. After every encounter, a Kikuyu expression is repeated: "Thayu nyumba—Peace, my people." Mama Miti, as Maathai comes to be known (it means "mother of trees"), is rewarded not with fame or power but with the satisfaction of seeing Kenya restored. Napoli (The Earth Shook) creates a vivid portrait of the community from which Maathai's tree-planting mission grows. Ages 4–8. (Jan.)

School Library Journal Reviews

Gr 3–4—This idealistic account focuses on Wangari's wisdom in advising women to plant different kinds of trees to solve their particular economic problems. "Here are seedlings of the mukinduri. This tree makes good firewood." "Plant a tree. A mukawa. Its thorns will keep out predators." Napoli inserts a Kikuyu phrase and its translation after each bit of Wangari's advice. "Thayu nyumba"—"Peace, my people." The story seems to suggest that the trees were a rather quick solution to the people's problems of hunger and poverty in Kenya's devastated landscape. "Soon cool, clear waters teemed with black, wriggling tadpoles…. All over the countryside the trees that had disappeared came back." Nelson depicts the various women and the greening of the landscape in bold collages of textile prints joined with strong painted portraits. The poetic, abbreviated story has little biographical detail, emphasizing the planting of millions of trees and the resulting prosperity and peace for the country and its people. The preface describing the ill effects of earlier drought and the broad sweep of text provide less concrete information and explanation than Claire A. Nivola's Planting the Trees of Kenya (Farrar) and Jeanette Winter's Wangari's Trees of Peace (Harcourt, both 2008). The information is too vague for primary grade children, and probably too skimpy for older grades. Still, the book could serve as a beautiful introduction for children just learning about the Greenbelt Movement. Concluding materials include an afterword for adults, a source note, a Kikuyu glossary, a list of Web sites most useful for adults, and a brief note from the illustrator.—Margaret Bush, Simmons College, Boston