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Battle hymn of the tiger mother
2011
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The Yale Law School professor and author of the best-selling World on Fire traces the rewards and pitfalls of a Chinese mother’s exercise in extreme parenting, describing the exacting standards applied to grades, music lessons and avoidance of Western cultural practices. - (Baker & Taylor)

Traces the rewards and pitfalls of a Chinese mother's exercise in extreme parenting, describing the exacting standards applied to grades, music lessons, and avoidance of Western cultural practices. - (Baker & Taylor)

An awe-inspiring, often hilarious, and unerringly honest story of one mother's exercise in extreme parenting, revealing the rewards-and the costs-of raising her children the Chinese way.

All decent parents want to do what's best for their children. What Battle Hymn of the Tiger Mother reveals is that the Chinese just have a totally different idea of how to do that. Western parents try to respect their children's individuality, encouraging them to pursue their true passions and providing a nurturing environment. The Chinese believe that the best way to protect your children is by preparing them for the future and arming them with skills, strong work habits, and inner confidence. Battle Hymn of the Tiger Mother chronicles Chua's iron-willed decision to raise her daughters, Sophia and Lulu, her way-the Chinese way-and the remarkable results her choice inspires.

Here are some things Amy Chua would never allow her daughters to do:

? have a playdate

? be in a school play

? complain about not being in a school play

? not be the #1 student in every subject except gym and drama

? play any instrument other than the piano or violin

? not play the piano or violin

The truth is Lulu and Sophia would never have had time for a playdate. They were too busy practicing their instruments (two to three hours a day and double sessions on the weekend) and perfecting their Mandarin.

Of course no one is perfect, including Chua herself. Witness this scene:

"According to Sophia, here are three things I actually said to her at the piano as I supervised her practicing:

1. Oh my God, you're just getting worse and worse.

2. I'm going to count to three, then I want musicality.

3. If the next time's not PERFECT, I'm going to take all your stuffed animals and burn them!"

But Chua demands as much of herself as she does of her daughters. And in her sacrifices-the exacting attention spent studying her daughters' performances, the office hours lost shuttling the girls to lessons-the depth of her love for her children becomes clear. Battle Hymn of the Tiger Mother is an eye-opening exploration of the differences in Eastern and Western parenting- and the lessons parents and children everywhere teach one another. - (Blackwell Publishing)

Author Biography

Amy Chua is the John M. Duff Professor of Law at Yale Law School. Her first book, World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability, a New York Times bestseller, was selected by both The Economist and the UK's Guardian as one of the best books of 2003. Her second book, Day of Empire: How Hyperpowers Rise to Global Dominance---and Why They Fall, was a critically acclaimed Foreign Affairs bestseller. She lives with her husband, two daughters, and two Samoyeds in New Haven, Connecticut. - (Blackwell Publishing)

Amy Chua is the John M. Duff Professor of Law at Yale Law School. Her first book, World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability, a New York Times bestseller, was selected by The Economist as one of the best books of 2003. Her second book, Day of Empire: How Hyperpowers Rise to Global Dominance—and Why They Fall, was a critically acclaimed Foreign Affairs bestseller. She lives with her husband, two daughters, and two Samoyeds in New Haven, Connecticut. - (Penguin Putnam)

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Booklist Reviews

Chua's stated intent is to present the differences between Western and Chinese parenting styles by sharing experiences with her own children (now teenagers). As the daughter of Chinese immigrants, she is poised to contrast the two disparate styles, even as she points out that being a "Chinese Mother" can cross ethnic lines: it is more a state of mind than a genetic trait. Yet this is a deeply personal story about her two daughters and how their lives are shaped by such demands as Chua's relentless insistence on straight A's and daily hours of mandatory music practice, even while vacationing with grandparents. Readers may be stunned by Chua's explanations of her hard-line style, and her meant-to-be humorous depictions of screaming matches intended to force greatness from her girls. She insists that Western children are no happier than Chinese ones, and that her daughters are the envy of neighbors and friends, because of their poise and musical, athletic, and academic accomplishments. Ironically, this may be read as a cautionary tale that asks just what price should be paid for achievement. Copyright 2010 Booklist Reviews.

Publishers Weekly Reviews

Chua (Day of Empire) imparts the secret behind the stereotypical Asian child's phenomenal success: the Chinese mother. Chua promotes what has traditionally worked very well in raising children: strict, Old World, uncompromising values--and the parents don't have to be Chinese. What they are, however, are different from what she sees as indulgent and permissive Western parents: stressing academic performance above all, never accepting a mediocre grade, insisting on drilling and practice, and instilling respect for authority. Chua and her Jewish husband (both are professors at Yale Law) raised two girls, and her account of their formative years achieving amazing success in school and music performance proves both a model and a cautionary tale. Sophia, the eldest, was dutiful and diligent, leapfrogging over her peers in academics and as a Suzuki piano student; Lulu was also gifted, but defiant, who excelled at the violin but eventually balked at her mother's pushing. Chua's efforts "not to raise a soft, entitled child" will strike American readers as a little scary--removing her children from school for extra practice, public shaming and insults, equating Western parenting with failure--but the results, she claims somewhat glibly in this frank, unapologetic report card, "were hard to quarrel with." (Jan.)

[Page ]. Copyright 2010 PWxyz LLC

Table of Contents

Part One
1 The Chinese Mother
3(3)
2 Sophia
6(4)
3 Louisa
10(4)
4 The Chuas
14(6)
5 On Generational Decline
20(5)
6 The Virtuous Circle
25(5)
7 Tiger Luck
30(5)
8 Lulu's Instrument
35(7)
9 The Violin
42(8)
10 Teeth Marks and Bubbles
50(10)
11 "The Little White Donkey"
60(4)
12 The Cadenza
64(13)
Part Two
13 Coco
77(8)
14 London, Athens, Barcelona, Bombay
85(8)
15 Popo
93(9)
16 The Birthday Card
102(6)
17 Caravan to Chautauqua
108(6)
18 The Swimming Hole
114(7)
19 How You Get to Carnegie Hall
121(9)
20 How You Get to Carnegie Hall, Part 2
130(7)
21 The Debut and the Audition
137(7)
22 Blowout in Budapest
144(13)
Part Three
23 Pushkin
157(10)
24 Rebellion
167(9)
25 Darkness
176(3)
26 Rebellion, Part 2
179(6)
27 Katrin
185(5)
28 The Sack of Rice
190(4)
29 Despair
194(4)
30 "Hebrew Melody"
198(4)
31 Red Square
202(5)
32 The Symbol
207(3)
33 Going West
210(6)
34 The Ending
216(7)
Coda 223(8)
Acknowledgments 231(2)
Notes 233

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